Madeleine L’Engle has long been one of my favorite authors, but not for the book her name is most associated with; A Wrinkle in Time. I was in my late 30’s when I read A Circle of Quiet, identifying with the writer who was also a mother, a woman who “escaped” the cacophony of a noisy household to burn garbage in the back yard. I often did the same. Like Madeleine on her 40th birthday, I was at a point in my life where I sometimes wondered if I was wasting my time by choosing to write every morning, when my husband worked so hard to pay bills and I wasn’t making any money with my writing, outside of the small checks I was getting for some freelance work I did for a local newspaper. Mostly, I identified with her need to write. I couldn’t imagine a life without writing. I still can’t.
A few years later, I would pick up The Irrational Season. I read her Two-Part Invention during my husband David’s cancer treatment in 2006. I vividly remember sobbing on the couch as I read about her husband’s death. Two-Part Invention was one of the first books I read (again) after David died in 2012. Glimpses of Grace and Reflections on a Writing Life, written with Carole Chase, are prominently displayed on a shelf in my bedroom.
And it was L’Engle’s Friends for the Journey, written with her dear friend Luci Shaw, that served as inspiration for my co-written Mary & Me: A Lasting Link Through Ink. (NOTE: available for a special holiday price of just $6 through my publisher right now. Click on the title for more information)
Madeleine L’Engle’s words touched my heart and soul so deeply, I mentioned her several times in my book Refined By Fire; A Journey of Grief and Grace. Her granddaughter Lena Roy, was kind enough to endorse it.
For all these reasons, I was thrilled to get my hands on a new edition of Walking on Water: Reflections on Faith & Art, by Madeleine, originally published in 1980, the year I gave birth to my first child. It was only when reading it, I realized Lena was the granddaughter of Madeleine’s that had been hit by a truck when she was a young child!
I was instantly enthralled, reading these words;
“I sit on my favourite rock, looking over the brook, to take time away from busyness, time to be. I’ve long since stopped feeling guilty about taking being time; it’s something we all need for our spiritual health, and often we don’t take enough of it.” (page 2)
“And then there is the time in which to be, simply to be, that time in which God quietly tells us who we are and who he wants us to be. It is then that God can take out emptiness and fill it up with what he wants and drain away the business with which we inevitably get involved in the dailiness of human living.” (page 162)
I’ve so rarely allowed myself that special time of just being, particularly during those years of raising young children. There was no quiet in a house full of babies and toddlers, much less time to just sit and be. Yet, despite a distinct lack of time, I wrote daily back then, even it was a letter or a journal entry. Now, my youngest is thirteen years old, and while I enjoy more quiet, reflective time, I also have an office to go to every weekday.
I’m working on the manuscript for a grief journal that will include my short essays along with quotes from other authors who have walked down the path of grief, including L’Engle. I was slightly dismayed when I found myself admitting in one of the essays that I occasionally missed the slow paced days of those early months of grieving, and the quiet stillness of mornings when I didn’t have to be anywhere or go anyplace. I wrote my way through much of those mornings.
When I signed a contract for this journal, I was well aware that this would be the first book-length project I would be working on without the luxury of the morning writing hours I had counted on for more than 25 years. So I’ve learned to utilize my weekend mornings and snatched moments here and there, just like I did as a mother with young children. I’d sit on the lid of the toilet to write while toddlers splashed in the bathtub, pull over to the curb and write when an infant fell asleep in the car seat. Once again, I do not have the luxury of waiting for the perfect time to write.
“To work on a book is for me very much the same thing as to pray. Both involve discipline. If the artist works only when he feels like it, he’s not apt to build up much of a body of work. Inspiration far more often comes during the work than before it, because the largest part of the job of the artist is to listen to the work and to go where it tells him to go. Ultimately, when you are writing, you stop thinking and write what you hear.” (page 140)
In Walking on Water, L’Engle shares these words of Rilke’s from his Letters to a Young Poet, words she’d jotted down in her journal:
“You are looking outward, and that above all you should not do now. Nobody can counsel and help you, nobody. There is only one single way. Go into yourself. Search for the reason that bids you to write; find out whether if is spreading out its roots in the deepest places of your heart, acknowledge to yourself whether you would have to die if it were denied you to write. This above all- ask yourself in the stillest hour of your night: Must I write? Delve into yourself for a deep answer. And if this should be affirmative, if you may meet this earnest question with a strong and simple ‘I must,’ then build your life according to this necessity; your life even into its most indifferent and slightest hour must be a sign of this urge and testimony to it.”
Must I write?
In this wonderful book, L’Engle wrote that she would have answered in the affirmative.
Just another thing L’Engle and I have in common. Me too.
NOTE: I am excited to report that Lena Roy and her sister, Charlotte, are working on a biography of their grandmother. Read more about that by clicking HERE.