Sorting through my vintage pencils yesterday, I came across this interesting specimen that sports an eraser as long as the pencil itself. What a novel idea, though I’m not sure how the length would fare with actual use, the rubbery tip giving with any pressure. Surely it would break off? My first thought was to search eBay for more of the same, to give out at writer’s workshops. “Erase the Rest. Go with the Best,” is perfect advice for writers. Rough drafts are…well, rough… They aren’t meant to be submitted. I always advise edits and revision. Reading pieces out loud to hear rough spots. Making sure the final manuscript is well-edited before submission, and even then, setting work aside until morning and looking it over again. Good writers only submit their best work.
But what about memories? Should we attempt to erase bad memories, concentrating only on the good? At first glance, that seems sound advice. It stands to reason that if we only think happy thoughts, we’ll be happier. Science supports this platitude. I discuss the elements of happiness and creativity in my upcoming Called to Be Creative.
“More grief?” someone commented two years ago when I shared I was working on another book. She didn’t attempt to hide the derisive tone or the eye-roll. The words stung, long after her quick apology.
For the record, I’ve written about couponing, refunding, saving money, friendship, and caregiving. I’ve had hundreds of articles and human interest pieces, unrelated to grief, published in magazines and newspapers.
But, yes, it does seem that grief sneaks into my everyday conversation. Thanks to this morning’s Facebook’s “Memories on this Day” app, I can say with some assurance that it was eight years ago today we discovered my young grandson’s cancer had returned. According to a heart surgeon later that month, it was also the date my husband’s evening shoulder pain indicated the first in a series of small heart attacks.
Those aren’t pleasant memories by any means, and some might wonder why I even address their “unpleasantness” on my blog.
Those memories are part of me. I am who I am today because of them. As much as I wish my husband had not died that March, or my grandson the following year, they did. I can’t erase the truth, nor should I, considering how those losses changed me.
“Interest in how trauma can be a catalyst for positive change took hold in the mid-1990’s, when the term ‘posttraumatic growth’ was introduced by pioneering scholars Richard Tedeschi and Lawrence Calhoun. Posttraumatic growth occurs when a person utilizes hardships and life trauma to grow in their interpersonal relationships, spirituality, appreciation of life, personal strength, and yes, creativity. This proved true for me on all fronts. I’m no longer the person I was before I lost mother, husband, and a grandson in the space of three years. In the seven years following my husband’s death, I signed six book contracts, coordinated an annual grief retreat, became a public speaker and workshop presenter, established a large network of mentors and friends, and developed a personal relationship with God in the process. My husband foresaw the professional achievements, but no one who knew me just ten years ago could have predicted either the spiritual or the relationship changes, least of all me.” — from “Called to Be Creative”
While it’s true my next book is about creativity, loss and grief do make several cameo appearances. How could they not? The death of my mother in 2010 prompted the idea for the book. If a woman raising ten children in a poverty-stricken household could manage to create, wasn’t there hope for the rest of us? If she left behind a creative legacy in a masterpiece of a well-lived life, how could we do the same? For two years, I delved into research, interviewed people who were living a creative life, and formed two different creativity groups to test my jumpstart activities on. The result is a book that is meant to educate, inspire, and ignite the latent creativity we all carry within us. Grieving my mother was the impetus to write the book.
“The creative process is far too often inspired by our most painful experiences rather than our most inspiring ones. It would not be a stretch to say that for many artists, authenticity and tragedy are inseparable,” Erwin Raphael McManus writes in The Artisan Soul: Crafting Your Life Into a Work of Art.
If I could erase the bad memories; the moment the doctor closed the door after informing my daughter her five-year-old son had cancer, the sight of my husband in a hospital bed after stent surgery, the five long seconds of disbelief when I discovered him unresponsive in his chair— would I? Would I delete those moments? After all, it is those vivid memories that bring a piercing ache to my chest, a single sob choked back, the threat of tears in a public place.
Perhaps my latest creative project answers that question. When I decoupaged the top of an old desk, I chose photos, newspaper clippings and words that inspired and lifted me. I glued the word Miracle next to my grandson’s photo, not because we were given a miracle healing, but because his presence in our life, however short, was the miracle.
God was there in all of it…in every single moment. While I thought my heart was breaking in two when my husband died, it was actually breaking wide open, allowing me to become a different person. In those dark months that followed, I knew instinctively what I needed, and I turned to God. He walked before me and with me.
I revel in the good memories of those people who have gone Home before me. I am grateful for the loved ones who are still here. I count myself blessed.
But no, I would not erase a slew of bad memories to risk losing even one good moment. Those memories made me who I am, they are a part of me, and I will not apologize for mentioning them.